Guide de la Musique d'Orgue
 Base discographique  Concerts  Histoire  Contact 

Nouveau CD

Jean-Luc IFFRIG

  Base discographique
  Recherche
  Nouveautés 
  Organistes 
  Compositeurs 
  Instruments 
  Editeurs 
  Distributeurs 
  Informations 
  Contact 

- Prochain concert -
Aujourd'hui
Mercredi 8 Décembre
Aubervilliers (93)
Notre-Dame des Vertus



  Concerts

  Jour de l'Orgue

  Médias

  Master classes

  Concours

  Colloques

  Evénements

  Concerts historiques

  J S BACH

  Liens



  Data Base



  Base de datos


Organiste (prénom NOM)    Titre du disque
Compositeur (NOM) Oeuvre  Lieu / Eglise

Editeur

  3 disques  

 1 - Martin SCHMEDING
   
  • G. Becker : Intégrale - Drei kleine Orgelstücke (1978); A la mémoire de Josquin (1975); Interpolationen (1993); Meteoron für Orgel, Schlagzeug und zweikanaliges Tonband (1969)
- Düsseldorf-Oberkassel Auferstehungskirche
- Disque Cybele; SACD 060 701, 2009, C. Roderburg ( Schlagzeug) (650)
Sauer Orgel (2004) – III/65

 2 - Martin SCHMEDING
   
  • T. Medek : Wandlungs-Passacaglia (Passacaglia of Transsubstantiation, 2001); B-A-C-H, Vier Töne für Orgel (B-A-C-H, Four Tones For Organ,1973); Verschüttete Bauernflöte (Buried Rustic Flute, 1969); Quatemberfeste für Orgel (Ember Days, 1989) Lambertussingen – Der Turmbläser – Engelecho – Schnurrpfeifereien; Gebrochene Flügel (Broken Wings, 1975); Rückläufige Passacaglia (Retrograde Passacaglia, 1979)
- Düsseldorf-Oberkassel Auferstehungskirche
- Disque Cybele;, 2008
Tilo Medek's (1940-2006) first works for organ, “Verschüttete Bauernflöte (1969)“ (buried rustic flute) and „B-A-C-H, Vier Töne für Orgel (1973)“ (Four Tones for Organ) were composed for the large organ at Merseburg Cathedral, and were inspired by its sound.
Originally, the composition and the tonal character of the organ (which was constructed from 1853-1855 by Friedrich Ladegast using Baroque registers) was profoundly altered following comprehensive restoration by Kühne & Co. in 1963.
In the process, Kühne replaced the typical Romantic stops, i.e. free reeds and numerous string registers, with Neo-Baroque pitches (high flutes like the rustic flute 1' in the pedal, Aliquot as well as mixed registers). Without passing judgement on these changes, it is important to emphasize that these colourful, even bizarre overtone mixtures and fundamental tones in the string colours are typical of Medeks early oeuvre.
Medek's early works for the organ have another element in common: they experiment with sound and forms of notation.
By switching the motor on and off, and half pulling off rows of register, he achieved microtonal sounds and variations of those tones. He confronted traditional methods of notation and values in this manner, with a variety of forms of free notation (i.e. spatial notation, graphic symbols and cluster-notation).

 3 - Martin SCHMEDING
   
  • O. G. Blarr : Orgelsinfonie ”Der Lobende”, Heilendes Wasser (2004, 2005), Holy Tango II
- Düsseldorf-Oberkassel Auferstehungskirche
- Disque Ars;, 2007, vol. 3
Europa-Orgel Felix Mendelssohn (2004) par W. Sauer


  3 disques  


Source: base de donnée discographique Alain CARTAYRADE
www.france-orgue.fr


  Version imprimable   Version smartphone     © Alain Cartayrade 1999 - 2021