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Demain
Mardi 30 Novembre
Paris (75)
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Organiste (prénom NOM)    Titre du disque
Compositeur (NOM) Oeuvre  Lieu / Eglise

Editeur

  2 disques  

 1 - Martin HERCHENRÖDER [1], Christian SCHMITT [2], Hans DAVIDSSON [3]
   • Linien aus Nachtlicht - Organ Works •
  • M. Herchenröder : Zeit Raum II - Fantasie ”Sonnenton - Sturmerscheinung” (2001/2008) [2 ]; Zeit Raum I; Ad fontes - Praeludium ”Sterngezwitscher” (1996) [1 ]; Zeit Raum I; Ad fontes - Intonation ”Traumwandlungen” (1996) [1 ]; Zeit Raum I; Ad fontes - Orgel-Punkte ”Mondschwere - Erdfinsternis” (1996) [ 1]; Zeit Raum II - Hymnus ”Lichtklang - Schattenspur” (2001/2008) [2 ]; Zeit Raum II - Trio ”Windgesang” (2001/2008) [3 ]; Zeit Raum II - Ricercare ”Himmelsatem” (2001/2008) [3 ]; Paul-Klaa-Blatt III - Linien aus Nachtlicht (1991) [1 ]; Toccata und Lament (2008) [3 ]; Paul-Klaa-Blatt V - Meerleuchten (2011) [2]
- Pitea Studio Acusticum
- Disque Neos (neos-music.com), 2014 (660)
orgue Woehl

 2 - David HIGGS [1], William PORTER [2], Hans DAVIDSSON [3]
   • The Craighead-Saunders Organ •
  • S. Kennedy : ”3-3-33” [1, 2, 3]
  • J. S. Bach : Sei gegrüßet, Jesu, gütig (a diverse Partite), BWV 768 [2]
  • K. P. E. Bach : Sonata in F Major, Wq 70/3 [3]
  • J. L. Krebs : Trio a 2 Claviere e Pedale in E-flat major [3]
  • J. C. Kittel : Praeludium VII in E-flat major, Praeludium VIII in E-flat major [1]
  • Félix Mendelssohn : Sonata I [1]
  • M. Herchenröder : Toccata and Lament [3]
- Rochester Christ Episcopal Church
- Disque Loft;, 2011
The Craighead-Saunders Organ in Christ Church, Rochester is the newest instrument in the collection at the Eastman School of Music. The organ is the result of an eight-year international research project documenting and copying the 1776 organ by Adam Gottlob Casparini (1715-1788) in the Holy Ghost Church in Vilnius, Lithuania, one of the best preserved late-baroque organs in all of Europe. After a thorough documentation of the original instrument, a team from GOArt, at Gothenburg University in Sweden, led by Mats Arvidsson and Munetaka Yokota, worked closely with the Eastman School of Music and a group of some of the finest organbuilders in America (Steven Dieck, Paul Fritts, Bruce Fowkes, Martin Pasi, and George Taylor) to produce the first research instrument after Casparini anywhere in the world, and the first large-scale historical reconstruction at this level in America.


  2 disques  


Source: base de donnée discographique Alain CARTAYRADE
www.france-orgue.fr


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